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์„ธ๊ณ„์‹œ๋ฏผ๊ต์œก์— ๋Œ€ํ•œ ์ดํ•ด๋ฅผ ๋„“ํžˆ๊ณ  ์—ฐ๊ตฌ, ์˜นํ˜ธ ํ™œ๋™, ๊ต์ˆ˜, ํ•™์Šต ๋“ฑ์„ ํ–ฅ์ƒ์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” ๋‹ค์–‘ํ•˜๊ณ  ์œ ์šฉํ•œ ์ž๋ฃŒ๋ฅผ ์ฐพ์•„๋ณด์„ธ์š”.

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178 ๊ฑด์˜ ๊ฒฐ๊ณผ๊ฐ€ ๊ฒ€์ƒ‰๋˜์—ˆ์Šต๋‹ˆ๋‹ค

Asia-Pacific Teacher Exchange for Global Education 2022: Final Report ๋ฐœํ–‰ ์—ฐ๋„: 2022 ๋‹จ์ฒด ์ €์ž: APCEIU | Korea R. Ministry of Education The Asia-Pacific Teacher Exchange for Global Education (APTE), which has been in place since 2012, marks its 10th anniversary this year. APTE had been conducted according to the existing programme execution system and flow chart until 2019. However, the Office of International Teacher Exchange (ITE) focused on online exchange due to the pandemic crisis. This yearโ€™s APTE programme followed last yearโ€™s online formula and presented a new direction for utilization even post-pandemic. These efforts are expected to enhance global educational competencies for a more sustainable Global Citizenship Education. ๋‹ค๋ฌธํ™”๊ฐ€์ • ๋Œ€์ƒ๊ตญ๊ฐ€์™€์˜ ๊ต์œก๊ต๋ฅ˜์‚ฌ์—… 2022๋…„๋„ ์‚ฌ์—…: ์ตœ์ข…๋ณด๊ณ ์„œ ๋ฐœํ–‰ ์—ฐ๋„: 2022 ๋‹จ์ฒด ์ €์ž: ์œ ๋„ค์Šค์ฝ” ์•„์‹œ์•„ํƒœํ‰์–‘ ๊ตญ์ œ์ดํ•ด๊ต์œก์› | Korea R. Ministry of Education 2012๋…„๋ถ€ํ„ฐ ์‹œ์ž‘๋˜์–ด 2022๋…„์— 11๋…„ ์ฐจ๋ฅผ ๋งž์ดํ•œ ใ€Œ๋‹ค๋ฌธํ™”๊ฐ€์ • ๋Œ€์ƒ๊ตญ๊ฐ€์™€์˜ ๊ต์œก๊ต๋ฅ˜์‚ฌ์—…ใ€ ์€, 2020๋…„๋„ ํŒฌ๋ฐ๋ฏน์œผ๋กœ ์ธํ•ด ๋ฌผ๋ฆฌ์  ๊ต๋ฅ˜๊ฐ€ ๋ถˆ๊ฐ€๋Šฅํ•œ ์ƒํ™ฉ์—์„œ ๋น„๋Œ€๋ฉด ์˜จ๋ผ์ธ ๊ต์œก๊ต๋ฅ˜์˜ ํ˜•ํƒœ๋กœ ์ง„ํ–‰๋˜์—ˆ๋‹ค. 2022๋…„๋„ ๊ต์œก๊ต๋ฅ˜ ์ถ”์ง„ ์‹ค์  ๋ฐ ๊ฒฐ๊ณผ, ๊ต์œกํ™œ๋™ ๊ฒฐ๊ณผ๋ฌผ ๋“ฑ์ด ์ˆ˜๋ก๋˜์–ด์žˆ๋‹ค. Guardians of the Pacific: A Teacherโ€™s Guide to Celebrating, Preserving, and Promoting World Heritage ๋ฐœํ–‰ ์—ฐ๋„: 2024 ์ €์ž: Karena Menzie-Ballantyne | Nanise J. Young Okotai | Adi Meretui Tuvou Ratunabuabua ๋‹จ์ฒด ์ €์ž: APCEIU Guardians of the Pacific: A Teacherโ€™s Guide to Celebrating, Preserving, and Promoting World Heritage is an APCEIU initiative dedicated to advancing Global Citizenship Education (GCED) worldwide. Anchored in the principles of the Sustainable Development Goals (SDGs) and UNESCO World Heritage, the guide places a special emphasis on the rich and diverse heritage of the Pacific region.  This Guide reflects GCEDโ€™s integrative approach, which encompasses three interconnected dimensions of learning: cognitive, socio-emotional, and behavioral. It encourages critical thinking about heritage and sustainability, fosters empathy by deepening understanding of the Pacific's unique cultural and natural environments, and inspires meaningful actions to protect and preserve local heritage.  Tailored for educators working with students in upper primary (grades 4โ€“6) and lower secondary (grades 7โ€“9), the Guide provides step-by-step instructions and practical resources for incorporating Pacific World Heritage into classroom lessons and extracurricular activities. It is a valuable tool for nurturing awareness, appreciation, and stewardship of the Pacific regionโ€™s irreplaceable heritage in schools worldwide. <Table of Contents>ForewordHow to Use This GuideSection 1. Learning Framework Rationale    Section 2. What Makes a Place Special?Section 3. The 2030 Agenda, Five Pillars and SDGsSection 4. Protecting People: Levuka Historical Port Town (Cultural Site)Section 5. Preserving the Planet: Phoenix Islands Protected Area (Natural Site)Section 6. Ensuring Prosperity: Rock Islands Southern Lagoon (Mixed Site)Section 7. Promoting Peace: Bikini Atoll Nuclear Test Site (Cultural Site)Section 8. Partnerships to Protect the Environment: East Rennell (Natural Site)Section 9. Taking Action to Promote and Protect a Special PlaceReferences WorksheetsPhoto Cards Re|shaping Policies for Creativity: Addressing Culture as a Global Public Good ๋ฐœํ–‰ ์—ฐ๋„: 2023 ๋‹จ์ฒด ์ €์ž: UNESCO The Global Report series monitors the implementation of the 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions, as well as progress towards achieving the United Nations 2030 Agenda for Sustainable Development, within and with the cultural and creative sectors. Its 2022 edition revolves around two major questions: What is the state of the cultural and creative sectors? What policy changes to promote sustainable, human rights-based systems of governance for culture and equitable access to cultural opportunities and resources have resulted from stakeholdersโ€™ implementation and ownership of the Convention? In line with the 2015 and 2018 editions, this third edition of the Report presents the latest policy developments to support creativity and sheds light on current and future challenges in areas such as the digital environment, media diversity, sustainable development, mobility of artists and cultural professionals, gender equality and artistic freedom. The trends, innovative practices, gaps and recommendations that emerge from the 2022 edition provide valuable evidence to inform the policy dialogue leading up to the UNESCO World Conference on Cultural Policies and Sustainable Development โ€“ MONDIACULT 2022. With the mission to contribute to the 2030 Agenda, it feeds into a renewed vision of cultural policies based on a better understanding of what impacts the diversity of cultural expressions and the avenues for anchoring culture and creativity in the broader public policy spectrum. ๋ฌธํ™”์ •์ฑ…์˜ (์žฌ)๊ตฌ์„ฑ: ์ „์ง€๊ตฌ์  ๊ณต๊ณต์žฌ๋กœ์„œ์˜ ๋ฌธํ™”๋ฅผ ๋ฐ”๋ผ๋ณด๋‹ค, 2022 ๋ฐœํ–‰ ์—ฐ๋„: 2023 ๋‹จ์ฒด ์ €์ž: ์œ ๋„ค์Šค์ฝ” ๊ธ€๋กœ๋ฒŒ ๋ฆฌํฌํŠธ ์‹œ๋ฆฌ์ฆˆ๋Š” ๊ฐ ๊ตญ์˜ <2005 ๋ฌธํ™”์  ํ‘œํ˜„์˜ ๋‹ค์–‘์„ฑ ๋ณดํ˜ธ์™€ ์ฆ์ง„์— ๊ด€ํ•œ ํ˜‘์•ฝ> ์ดํ–‰์ƒํ™ฉ๊ณผ ๋ฌธํ™”ยท์ฐฝ์˜๋ถ„์•ผ๊ฐ€ <UN 2030 ์ง€์†๊ฐ€๋Šฅํ•œ ๊ฐœ๋ฐœ ์–ด์  ๋‹ค>์— ์–ด๋–ป๊ฒŒ ๊ธฐ์—ฌํ•˜๊ณ  ์žˆ๋Š”์ง€ ๊ทธ ์ง„ํ–‰ ์ƒํ™ฉ์„ ๋ชจ๋‹ˆํ„ฐ๋ง ํ•˜๊ณ  ์žˆ๋‹ค. 2015๋…„๊ณผ 2018๋…„ ๋ฐœ๊ฐ„๋œ ๋ณด๊ณ ์„œ์™€ ๊ฐ™์ด, ์ด๋ฒˆ ์ œ3ํŒ์€ ์ฐฝ์˜์  ํ™œ๋™์„ ์ง€์›ํ•˜๊ธฐ ์œ„ํ•œ ์ตœ๊ทผ์˜ ์ •์ฑ… ๊ฐœ๋ฐœ ์ƒํ™ฉ์„ ์†Œ๊ฐœํ•˜๊ณ , ๋””์ง€ํ„ธ ํ™˜๊ฒฝ, ๋ฏธ๋””์–ด ๋‹ค์–‘์„ฑ, ์ง€์†๊ฐ€๋Šฅ๋ฐœ์ „, ์˜ˆ์ˆ ๊ฐ€์™€ ๋ฌธํ™” ๋ถ„์•ผ ์ข…์‚ฌ์ž์˜ ์ด๋™์„ฑ, ์–‘์„ฑ ํ‰๋“ฑ ๋ฐ ์˜ˆ์ˆ ์˜ ์ž์œ ์™€ ๊ฐ™์€ ๋ถ„์•ผ์˜ ํ˜„์žฌ์™€ ๋ฏธ๋ž˜์˜ ๊ณผ์ œ๋ฅผ ์กฐ๋ช…ํ•œ๋‹ค. 2022๋…„ ๋ฐœ๊ฐ„๋˜๋Š” ๋ณธ ๋ณด๊ณ ์„œ์— ์†Œ๊ฐœ๋˜๋Š” ํŠธ๋ Œ๋“œ, ์šฐ์ˆ˜ ์‚ฌ๋ก€, ๊ตญ๊ฐ€ ๊ฐ„ ๊ฒฉ์ฐจ, ๊ทธ๋ฆฌ๊ณ  ๊ถŒ๊ณ ์‚ฌํ•ญ์€ ์œ ๋„ค์Šค์ฝ”์˜ <๋ฌธํ™” ์ •์ฑ…๊ณผ ์ง€์†๊ฐ€๋Šฅํ•œ ๊ฐœ๋ฐœ์— ๊ด€ํ•œ ์„ธ๊ณ„ ํšŒ์˜(MONDIACULT 2022)>์˜ ์ •์ฑ… ํ† ๋ก ์—์„œ ๋‹ค๋ฃฐ๋งŒํ•œ ์ค‘์š”ํ•œ ์ž๋ฃŒ๋ฅผ ์ œ๊ณตํ•˜๊ณ  ์žˆ๋‹ค. ๋ณธ ๋ณด๊ณ ์„œ๋Š” <2030 ์–ด์  ๋‹ค>์— ๊ธฐ์—ฌํ•˜๊ณ ์ž ํ•˜๋Š” ์‚ฌ๋ช…์„ ๊ฐ€์ง€๊ณ , ๋ฌธํ™”์  ํ‘œํ˜„์˜ ๋‹ค์–‘์„ฑ์— ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š” ์š”์ธ์„ ๋ถ„์„ํ•˜๋ฉฐ, ๊ณต๊ณต์ •์ฑ… ์ŠคํŽ™ํŠธ๋Ÿผ์—์„œ ๋” ๋„“๊ฒŒ ๋ฌธํ™”์™€ ์ฐฝ์˜์„ฑ์„ ์ •์ฐฉ์‹œํ‚ฌ ๋ฐฉ์•ˆ์— ๋Œ€ํ•ด ๋” ๋‚˜์€ ์ดํ•ด์™€ ์ƒˆ๋กœ์šด ๋ฌธํ™”์ •์ฑ…์˜ ๋น„์ „์„ ์ œ์‹œํ•˜๊ณ ์ž ํ•œ๋‹ค. Return to the Origin: Ancient Narratives about Humanity, Time and the World ๋ฐœํ–‰ ์—ฐ๋„: 2022 ์ €์ž: Eduardo A. Rueda | Ana Marรญa Larrea | Augusto Castro | ร“scar Bonilla | Nicolรกs Rueda | Carlos Guzmรกn ๋‹จ์ฒด ์ €์ž: Latin American Council of Social Sciences (CLACSO) | UNESCO In this brief reflection, only in an introductory way, two questions are addressed. The first has to do with the relevance or impertinence of a program to record the narratives of our original peoples about the origins and trajectories of humanity. In relation to this first point, they are interested in proposing the bases for an emancipatory approach, that is, counter-hegemonic, of the original narratives. The second question asks about the consequences that it has, for the self-understanding of the crises and tensions of current societies, to highlight non-Western conceptions of human origins and trajectories.  Retornar al origen: Narrativas ancestrales sobre humanidad, tiempo y mundo ๋ฐœํ–‰ ์—ฐ๋„: 2022 ์ €์ž: Eduardo A. Rueda | Ana Marรญa Larrea | Augusto Castro | ร“scar Bonilla | Nicolรกs Rueda | Carlos Guzmรกn ๋‹จ์ฒด ์ €์ž: Latin American Council of Social Sciences (CLACSO) | UNESCO En esta breve reflexiรณn se abordan, apenas de modo introductorio, dos cuestiones. La primera tiene que ver con la pertinencia o impertinencia de un programa de registro de las narrativas de nuestros pueblos originarios sobre los orรญgenes y trayectorias de la humanidad. Les interesa, en relaciรณn con este primer punto, proponer las bases para un abordaje emancipatorio, es decir, contrahegemรณnico, de las narrativas originarias. La segunda cuestiรณn se interroga por las consecuencias que tiene, para la autocomprensiรณn de las crisis y tensiones de las sociedades actuales, poner en evidencia concepciones no occidentales de los orรญgenes y las trayectorias humanas.  Culture | 2030 Indicators: Thematic Indicators for Culture in the 2030 Agenda ๋ฐœํ–‰ ์—ฐ๋„: 2019 ๋‹จ์ฒด ์ €์ž: UNESCO The Culture|2030 Indicators is a framework of thematic indicators whose purpose is to measure and monitor the progress of cultureโ€™s enabling contribution to the national and local implementation of the Goals and Targets of the 2030 Agenda for Sustainable Development (SDGs). The methodology is developed to assist countries and cities with very different capacities regarding the collection of data and cultural statistics. The evidence gathered will inform policies and decisions as well as operational actions enabling greater investments in culture as a sector of activity and a greater recognition of its transversal role across other sectors.